I’m an Editor at Large for Bright Wall/Dark Room, an independent film magazine, as well as a classical music columnist for WQXR. For a period of time, nonfiction internet writing was my bread and butter, and while I do less of it nowadays, I’m always interested in the world we live in and how to make it 100% about me. Additional clips available upon request.

selected clips

film writing

Bright Wall/Dark Room: The Year Of The Death Wish (on Mission: Impossible – Fallout)
Bright Wall/Dark Room: Great Expectations (on A Room With A View)
Bright Wall/Dark Room: Hold Up, They Don't Love You Like I Love You (on the Ocean's Trilogy)
Bright Wall/Dark Room: In This Heat (on Atonement)
Bright Wall/Dark Room: Nighy Forever (on Bill Nighy)
Bright Wall/Dark Room: FAQ About The Best Movie Of 2015 (on Magic Mike XXL)

music writing

WQXR: Discovering the Wholehearted Americanness of Florence Price’s Symphony in E Minor
WQXR: Debussy's La Mer Is Bigger And Better Than The Ocean
The Awl: I've Been Busy Thinkin' About Elgar
The Awl: Tchaikovsky Hated The 1812 Overture, Which Sucks Because He Also Wrote It
The Awl: Antonín Dvořák's 'Symphony From The New World' Is The Best, Bar None


The Awl: McDonald's Is The Only Restaurant That Should Be In Airports
Jezebel: The Lonely Island Is Take-Proof, Stupid, And Perfect
Brooklyn Magazine: Modern Like
Cosmopolitan: What I Learned From Putting All of My Crushes Into a Secret Facebook Group